Short Story Monologue - 1205 Words

She had never hurt anyone. Ever. She was young. She was innocent. She didn’t even know them. She had never seen them. She never saw their face. She never saw it coming. I’ll tell it to you straight. I won’t lie. I won’t exaggerate or or put anything to the extreme. In fact, I might just tone it down. The fear in your eyes is almost tangible. I didn’t die. If I did, the killer was pretty good, because I didn’t feel pain, or feel my heart stop, or even remember sucking in my last breath. I’m here now, wherever this is. I’ll tell you a story. I was little. I won’t give an age, because that will make it too real. I lived with my parents. I had no brothers or sisters. I was an only child. I had never known hunger, or pain, or sadness. No one†¦show more content†¦I watched them go to my front door. I waited. They waited. I didn’t dare do anything. They had trespassed, but they hadn t gone in my house, they hadn’t damaged the property, or done anything illegal that I could think of. So I waited. It was midnight when I finally moved to check the time. I didn’t make any noi se, just glanced down at my watch. That one silent movment and Ace swiveled around. My heart stopped. My breathe stopped. My blood stopped. If the world and time could have stopped, it would too. Their every colored eyes darted across yard, not just looking, but seeing, which I can assure is very different. I didn’t move, I didn’t even move my eyes. I couldn’t move, because I knew if I did, I would die. Suddenly, Ace’s lips curved into a smile as their eyes settled onto mine. I feared my thinking was to loud. †London...† The entire world was dark and silent except for us. Somehow I knew that everyone was gone. I didn’t know where, or how, or what happened, but I knew they were gone. â€Å"London...† Ace’s voice was musically dull and pretty horrible. I didn’t do anything, even as my vision darkened, and my lungs screamed for air, I didn’t dare breathe when I was making eye contact with Ace. They turned around and opened the front door. I blinked. BAM! Ace was standing over me, smiling in a way that almost made me scream in fear. â€Å"London...† I sucked in air and then the world was as it should be. Suddenly cars were driving, people talking in theShow MoreRelatedShort Story Monologue1470 Words   |  6 Pageson my bed. While leaving my hands in my pockets in an attempt to keep them warm, I gaze around the basement. Despite its unsightly appearance, love expels from the walls, much like the walls in my apartment. The pipes creak as they recount their stories of all they have witnessed, leaving me with a sense of comfort. The machine beeps at the end of its cycle, waking me; I hadn t realised I dozed off. If a place for drying clothes existed in our apartment, I would return there now, but alas, thereRead MoreNotes On The Novel Fences And Pied Piper Of Tucson 1080 Words   |  5 Pagesengage and intrigue readers. 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With these elements Poe is able to display the theme of the story which is, we are afraid of the things we don’t understand and a guilty conscience will win out in the end. These are the themes and elements of Poe’s short story. Poe uses first person narration all throughout thisRead MoreDown to a Sunless Sea by Neil Gaiman1028 Words   |  5 Pagesï » ¿Down to a Sunless Sea by Neil Gaiman Down to a Sunless Sea is short story written by Neil Gaiman and published in the British newspaper The Guardian on March 22nd 2013. Taking place in London, this story describes a rainy encounter on the banks of the Thames which unlocks a tale of loss and grief. The setting is London. Presumeably 18th or early 19th century based on how the Thames is described as extremely filthy and filled with the bodies of cats and dogs. Also the mention of the so-calledRead MoreAnalysis Of Vineland And Robert Coover s Dramatic Monologue Rip Awake1732 Words   |  7 PagesAbstract The present paper traces the origins of Thomas Pynchon’s novel Vineland and Robert Coover’s dramatic monologue Rip Awake to Washington Irving’s short story â€Å"Rip Van Winkle† and attempts to analyze both adaptations. Though Irving’s short story dates back to an earlier time period in the American landscape, it nonetheless forms the foundation of both Pynchon’s and Coover’s work. Though Irving’s writing style has often been called exceedingly British sounding, his narratives are steeped inRead More Raymond Carvers Cathedral Essay955 Words   |  4 Pages nbsp;nbsp;nbsp;nbsp;nbsp;As with many short stories, Raymond Carver’s â€Å"Cathedral† only has a few pages to develop his main character and create a scenario he or she must learn from or achieve something from or change because of. In such a short amount of space, word choice is integral in constructing a solid impression of the characters and their personalities in the reader’s mind. Carver’s simple use of language and sentence structure combined with his choice for point of view creates anRead MoreComparison Of Hemmingway And Faulkner s Ethos1087 Words   |  5 PagesProper character development is difficult and must be elaborated correctly from the beginning of a story, or else the structure becomes hard to follow. Faulkner and Hemmingway both are masters in the craft of character and often reflect themselves upon this. They are able to do so brilliantly, and although both authors differ greatly in their development and techniques, their end results are nothing short of dazzling. Faulkner often develops his characters through their surroundings and object descriptionRead MoreThe Jilting Of Granny Weatherall And Arabing Essay1446 Words   |  6 Pagesand it is what will be surveyed in this essay. The two stories being observed are Katherine Porter’s â€Å"The Jilting of Granny Weatherall†, a short story about an 80-year-old woman’s thoughts and memories as she lives out her last day. The second story is James Joyce’s â€Å"Araby†, the fictional story of a young boy in Dublin and his infatuation with a girl in his neighborhood. This essay will examine stream of consciousness vital role in these stories in regard to the style of narration presented, how the